captainsblog: (LadyOfTheLake)
It's funny. This is my 15th Father's Day observance with me as a father (the 16th if you count the kid in utero), and I still haven't quite gotten used to the concept of me being the honoree rather than the honoror.  Whether that's a function of my never-ending attempt to hold on to youth, or my conflicted feelings about my own father's influence on my own life, I'm not sure. I just know that it doesn't come as naturally to me as does a birthday or even an anniversary (which I haven't had all that many more of).

This year helped. The gift was Paul Simon's newest album, Surprise. It played to me on a number of levels. Simplest, the music. I love what he's done with his talents over the years. For one who entered our consciousness around the same time as Sir Paul McCartney, whose 64th birthday caused us mostly to look back, this new album proves that Sir The Other Paul is still putting out amazing, relevant and musically interesting stuff in the here and in the now.

Nostalgiacally, although I doubt Eleanor remembered, this weekend marks the second anniversary of our seeing Paul, and that other guy he used to sing with, in concert here in Buffalo. Here's my blog entry from back then which tried to bring home just how meaningful it was to see this particular pairing, back together again as Old Friends, once in our lifetimes.

But what really nailed the gift as an observance of this particular holiday was the last track, which is shared for any who want it here-

http://www.yousendit.com/transfer.php?action=download&ufid=B8836D0C6D5D1255

- in which Paul speaks of the love between his own heart and his own daughter. Making the connection even closer is that Paul's son Adrian- born the same year as our daughter- sings backup on this remarkable tribute to his own sister, which goes like this:

If you leap awake
In the mirror of a bad dream
And for a fraction of a second
You can't remember where you are
Just open your window
And follow your memory upstream
To the meadow in the mountain
Where we counted every falling star

I believe the light that shines on you
Will shine on you forever
And though I can't guarantee
There's nothing scary hiding under your bed
I’m gonna stand guard
Like a postcard of a Golden Retriever
And never leave till I leave you
With a sweet dream in your head

I'm gonna watch you shine
Gonna watch you grow
Gonna paint a sign
So you'll always know
As long as one and one is two
There could never be a father
Who loves his daughter more than I love you

Trust your intuition
It's just like going fishing
You cast your line
And hope you're getting a bite
But you don't need to waste your time
Worrying about the market place
Try to help the human race
Struggling to survive its harshest night

I'm gonna watch you shine
Gonna watch you grow
Gonna paint a sign
So you'll always know
As long as one and one is two
There could never be a father
Who loves his daughter more than I love you

I'm gonna watch you shine
Gonna watch you grow
Gonna paint a sign
So you'll always know
As long as one and one is two
There could never be a father
Who loves his daughter more than I love you

Happy Fathers Day to the fathers, and the daughters, and the sons.

Wow.

Jun. 17th, 2004 11:54 pm
captainsblog: (Default)
Really the only word to lead with, 90 minutes or so after Paul, Artie and friends left the stage.

Paragraphs come with difficulty, so just some random sentences while it's all wonderfully fresh in my mind.

The perfect repertoire- everything you would've wanted.

A nice mixing of the songs, older and newer (face it, Paul said at one point, all of it's old), including two of Paul's solo songs- "Slip Slidin Away" and "American Tune"- which, as he said, were never recorded by S&G but should've been, what with the elements Artie added to them.

Artie looks like, well, Artie- same hair, same vest, same amazing voice.

Paul looks like Mel Brooks with a sudden virtuosity for the guitar.

The band was excellent- all expert session guys, all introduced by names I knew not a one of, all of whom featured on jammed-out versions of one song or another, including "Homeward Bound" and "Mrs. Robinson," but especially on the last song of the second and final encore- a "59th St Bridge" rendition with no fewer than two instruments I've never seen before.

The video montages- only two, beginning and midway, but well done, well fitted to the music, and solely for my personal enjoyment, a five-second clip of Paul in the turkey suit hosting SNL.

The opening act- make that middling, as the Everlys didn't come out till almost an hour in, did four songs, joined by the boys on "Bye Bye Love" and didn't keep us waiting for the main event.

The memories- "Scarborough Fair" opened the second, post-Everly part of the show, which as you know was a favorite of Sandy's (they did it well, but then you know that, you were there with us{{{{{}}}}}).

The demographics of the crowd- out of maybe 17,000 people, I saw only a couple dozen people who had lighters or matches to hold up for the encores.

The stories.

Artie's- "I met this guy in sixth grade when we were in the school play together- Alice in Wonderland. I was the Cheshire Cat. Paul was the white rabbit. This year marks the 50th anniversary of a beautiful friendship." (cue huge cheers and applause)

Paul's- "It's true, I was in Alice in Wonderland with him, but after starring in Death of a Salesman in 5th grade I felt I needed a stretch. We started singing together when we were 13 and immediately started arguing. This is the 47th anniversary of us fighting with each other (cue huge laughs with the cheers and the applause)

The surprise in the finale- I'd read about it, expected it, kinda understood it, but was still totally put away by it- read
this if you want to know what it is.

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